How not to get commissioned
Now that our back pages are available on the website, there’s no excuse for freelances who approach us with stories we have recently published. We ran a piece on jazz in New York as recently as November. Mind you, the writer who sent the following note wouldn’t have been commissioned anyway. The reasons should be obvious — even if they’re not to him.
Good morning – I’m a producer at — TV but I write the occasional travel piece for local media in my capacity as Captain Blag-a-Holiday. I’m off to New York in March and before you start yawning, I wondered if you’d be interested in a piece on the music scene in NYC, specifically jazz ( nice). I’m sure you’re aware NY is home to some of the world’s most famous jazz venues, and I’m sure there are people out there who’d be interested in a piece on a little tour round the hot spots.
My tour will culminate in a concert at Radio City by Aretha Franklin. Anyone who wants to see her has to fly to the US to do it, as she has a flying phobia! I don’t want paying – all I need to do is mention Continental Airlines at the end. I’m going March 20 – 23.
p.s – I’m a former professional saxophonist so I know a bit about the music.Interested?



So… seeing as I’m someone you’ve just turned down… with a fairly standard kind of response (”Sorry we have lots on file at the moment.)
What are your top suggestions for getting a commission? (Apart from get lucky and pitch when the pile of previously commissioned stuff is low… If it ever is?)
Jeremy Head
jeremyhead.typepad.com
Jeremy, for a start, introducing yourself as Captain Blag-a-Holiday is unlikely to endear you to commissioning editors. But have a look at my earlier posting on pitches that work: http://www.kerraway.com/2007/01/29/how-to-sell-a-travel-story/